I can’t believe I’ve done 30 of these already. I’m excited to color this one and see how that changes the look of it. It feels balanced and I’m happy with the different levels and how they turned out. I wish I had made the center layer a bit more complex, but overall I’m happy with the design.
This mandala reminds me of a pinecone. I was trying out a different pattern for the leaves, but it doesn’t quite gel with the rest of the mandala. I am quite happy with the floral elements. The flower and leaves in the center turned out really well.
I love this mandala. It feels balanced and complete. I like all the different design elements and how they all play together. The middle is a bit heavy, perhaps, but I like that it has lots of intricate pieces for coloring.
This is another mandala I drew without using the templates I started with. The design is balanced and detailed. Yet it feels open, almost asking for more details to be added. I’m also still experimenting with adding in zentangle elements.
This mandala is a departure from all the previous designs. As I was experimenting with different mandalas, I was using a template as a guide while I drew. After watching some other artists create their mandalas, I realized that the template, while a great tool, was in many ways constraining how I drew my mandalas.
So out went the templates. I think the design of this one is an improvement – the circles in the design are cohesive and it has enough intricate pieces to be a nice piece to color.
More experimentation with this mandala. Not a typical mandala, but I wanted to experiment with using more geometric shapes, reminiscent of Native American and/or Nazca art.
It definitely has a southwest feel to it, so I’m pretty happy with how this one turned out. It would be interesting to digitally color this one and see how it turns out.
I like the inner layers of this mandala. It falls apart a bit as you move to the outer layers. I was experimenting with different lines and weights, but the outer layers are too heavy next to the finer lines of the inner layers.
And the shape on the outer layer reminds me weirdly of puckering lips. It makes the design a bit jarring. Maybe if I just deleted the outermost layer, the overall design would be improved.
This mandala ended up being quite a bit smaller than previous ones. Not sure why, I didn’t intend it to be. I do like the middle of this one, with the four-leaf clover sort of flower in the inner layer.
I don’t think I put enough different elements in this one, but I do like the ones that are there. Perhaps I’ll try this one in iColorama and see how it turns out.
I tried something different with this mandala. I’ve been using a monoline brush in all the previous drawings, because I wanted the uniform look to the lines. But I wanted to try drawing with a brush that would show the pressure sensitivity. So I tried a different brush.
I think it turned out pretty well. I was able to make the brush much smaller in size than I could with the monoline brush, which meant I could get much finer lines in the mandala. So the inner circles of this mandala have some pretty intricate elements because I had more play with the size of the lines.
The outer layer seems kind of boring and plain, but I wanted to stay with the flower/leaf motif I had going on in the inner layers. Definitely less uniform looking, but much more obvious that it is hand-drawn.